The Devil Is in the Details… and Low Mids Since headphones create an isolated environment, room resonances and comb filtering effects, which compromise your ability make proper tonal and spatial mix judgments, are no longer an issue. Room limitations can be overcome easily and inexpensively by mixing on headphones. It’s fair to say that most home studio owners aren’t going to have financial resources or the work to justify such expenses. According to Mick, he got mids and treble response of the room under control with a set of ASC Tube Traps (which cost around $14,000), and expected to spend more getting bass under control. For example, when 11-time Grammy winner Mick Guzauski left his Barking Doctor studio in New York for L.A., he set up a temporary mixing studio in a spare bedroom. Even professional mixers with access to the best equipment experience environmental problems. For the small studio owner, achieving professional-quality mixes is an elusive goal for many reasons, not the least of which, being inaccurate budget monitors and acoustically problematic rooms.
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